
Seven days, eight hours a day in a show-case of the Serpentine Gallery in London. The performance of actrice Tilda Swindon (see her in the movie "Orlando" from Sally Potter) was unusual in 1994, because of the dynamic concept of the human being as an artistic object in the glass-installation.
However, to me it didn't seem bizar, because I invented already many years earlier the installation of the dynamic power of static elements in LA SEANCE BEETHOVEN (look at my Anthology). I'm convincted that the artist is the vehicle of the universal creativity.
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